Just a few months ago, the future of familypet remained uncertain. Yet with their new project, the duo are back and more refined than ever.
Presence cannot be appreciated without a bought of absence. When two worlds become so closely intertwined, a beautiful but suffocating vortex may occur, an endless vacuum between being tied down by love while pulled by the soul in a different direction. Gratitude for the self and the unit must be learned with and without company. A breath of fresh air often helps one come back down with a more powerful, oxygenated perspective.
Last November, Mitche of familypet announced he would no longer be a part of the New York duo, and that M;ars would continue the project as a solo artist. Only recently M;ars Tweeted a relieving reverse statement, saying they were back together and working to put out a new album. DATING is that project, a highly anticipated set of songs with fresh and nostalgic appeal. It’s a unique gem for new and old fans alike, if not a testament to the tenacity of friendship and importance of space.
DATING’s universal sound is colorful, bright, and sentimental. An underlying emo-pop stream flows quietly (and sometimes not so quietly) within their discography. Together, Mitche and M;ars turn pain into beauty that takes the form of music. It’s exciting to hear their voices together again, magnetically fitting like notches between lock and key. The “half of a heart somehow still beating” that was familypet has found itself whole again.
“hurted” is more than heartache; it’s a punch to the gut. One person’s pain is lessened by putting it on someone else, “Yes you hurted, I felt it and I hurted.” It’s followed by “sad flex,” an afflicted chant to justify pitiful braggadocio: “I’m not enough.” Attempts to create importance out of menial and material experiences almost always comes from a deeply rooted fear of unworthiness.
“in the glow” is a sultry haunt lingering with unanswered questions. Is the glow a reference to a moonlit sky, a brightly lit screen, or the aura of confidence? Using progressive vocal effects that buzz with a techno feel, “mikey” lurks into “feels good,” a syrupy song leaning into pleasure regardless of future consequences. A fervent, passion-driven escapade after a nighttime city adventure embodies “spend the night.”
DATING wraps up with its self-titled song. Repetitive lyrics perhaps highlight the frustrating yet enchanting cycle that is dating. “We did not know what we want,” is largely the justification for the differences that can form within any kind of relationship.
Few seven-song albums have the impact that DATING imbues. It was worked on before, during, and after familypet’s breakup, a testament to their growth and maturity. The impeccable and intricately chosen collection dips into the past to resurface with new styles. It’s an exploration of the challenges, fun, and learning that comes with developing relationships. Treat yourself to DATING here, and follow them here and here.